In Goodbye my love goodbye the relation between sound and picture becomes apparent: the viewer looks upon heated asphalt, the typical movie shoot suggesting an endless desert parted by a glimmering highway. A green object appears at the horizon. One can only hear the sound of crickets. The green object seems to be the semantic determinator in this scenario. It creeps along the highway, almost in slow motion. All of a sudden a white object enters the frame in very rapid movement. It seems ...

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