·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·


Cimetiere a Paris
©2003 Luis Bezeta
The cemetery of Père-Lachaise, is the biggest one in the urban area of Paris y the best......
Sin Título
©2008 Lidia González Alija
The eternal confusion and contemporary ambiguity in everything and, in this concrete ......
ECRIRE CENTRE AU CENTRE DE LA FRANCE
©2002 Roland BALADI
A milestone on Bruyères Allichamps reminds that the town is located on the geographical......
Le Partenaire
©2007 Hernan Marina
"Le partenaire" narrates the story of a apocryphal tenor, who in a performance with t......
Himenoplastia
©2004 Regina José Galindo
Galindo received the Golden Lion award at the Venice Biennale in 2005, in the categor......
El Principe
©2007 Maria Cristina Carbonell
En El príncipe están representadas imágenes reiteradas, arquetipales, del erotismo y el des......
Toot
©2001 Cui Xiuwen
Cui Xiuwen goes on the stage and appears as a mummy, wrapped from head to toe in toil......
Mimicking
©1997 Mayumi Lake
My artwork deals with the interaction between the real and imaginary. Using various m......
Snow
©0 Eelco Brand
...
Bates
©2007 Zumo Natural
A man with a cap and a light short jacket, is peeling almods with a bat in a dark gar......
Shores of Perception
©2010 Sva Li Levy
In connection with Paul Klee credo: "Art does not reproduce the visible, rather it m......
Would that be alright with you if I bring my cat along?
©2006 Katarina Zdjelar
When we struggle with a new language we struggle with our lungs, our tongues, our tee......
Boxes
©2007 ...... Malaventura
Now the boxes are empty and useless. Waiting in the outside of a shop or in the back ......
A Study in Choreography for Camera
©1945 Maya Deren
Upon their appearance in the mid-1940s, Maya Deren's films were described by New York......
Both Members of This Club
©2002 Ofri Cnaani
The video shows a physical dialogue between two mature women, in which the relationsh......
Angry White Male
©2016 Ronald Bijleveld
afte math of an false flap operation stil leads to real emotions of the population...
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·