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New and Improved
©2007 Humphrey/ Voshardt
New and Improved shows a manic flash-card script for positive thinking and self-impro......
Incontinencia
©2007 Carmen Arrabal
The series 'Emotions' is made up of videos and of photographs produced in 2006-07: "E......
La Labor
©2005 Zumo Natural
A mobile unit of Zumo Natural moved to Racing's stadium in Ferrol to talk to Josefina......
Una Costante Perdita di Magia
©2007 Masbedo
The videos of Masbedo use a recurrent and fundamental theme of the human condition, a......
County Line
©2004 Chris Larson
Larson's film County Line is set to an eerie soundtrack. The camera settles on this d......
Narcissus with drowning animals
©2016 Eva Davidova
from the project Global Mode: Playground for Drowning Animals...
Expectations
©2007 Heide Hatry
The work is a brief reflection on the changing relationship of women, and especially ......
Bump
©2005 Antonia Fritche
A nice see of Paris' rooves with mix of video and photo pictures. A very impressionis......
Far away
©2007 Maria Cristina Carbonell
A Ninja returns from beyond to take with him a women, who, in self-defense, killed hi......
Scum
©2007 Wojtek Ulrich
SCUM consists of a three-channel video projection, a 48 channel video sculpture in th......
Promenade
©2007 Jun Ichiro Ishii
Accompanying to installation work 'Rue de L'infinite (2007 FRANCE)', this is an exper......
Stokata #1
©2005 Ohad Milstein
A collection of episodes atempting to capture a harmonic, euphoric moment, a magical ......
Mer de Larmes
©2007 Carmen Arrabal
The series 'Emotions' is made up of videos and of photographs produced in 2006-07: "E......
The Passing Times -(Project The Camera as writing)- with Bill Vio...
©2014 Isabel María
Between a prize award in Barcelona and an inauguration in New York, Bill Viola descri......
Happy Tears
©2006 Sabine Groß
In her videos, Gross refers to popular works of art history, such as The Scream, by E......
Le Partenaire
©2007 Hernan Marina
"Le partenaire" narrates the story of a apocryphal tenor, who in a performance with t......
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