·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·


Still alive #2
©2012 Cristina Pavesi
A bouquet of dried roses lose its petals blown away by an improbable wind, defeating ......
Traits Quotidiens
©2005 Raphael Larre
"My animations represent scenes from daily life, and are begun with the same libe......
Pretty little Things
©2007 Alette Simmons-Jimenez
The piece evolved into something unexpected, beyond the theme of little girls and mod......
The Knowledge of Liberty
©2009 Johanna Bruckner
"The Knowledge of Liberty" explores social engagement within a high-speed defined wor......
Odysseus in Berlin
©2004 Daniel Silvo
Three Act Tragedy: introduction, climax and ending. Each morning Ulysses walks around......
Far away
©2007 Maria Cristina Carbonell
A Ninja returns from beyond to take with him a women, who, in self-defense, killed hi......
Black Scream
©2006 Sabine Groß
The artists evokes with this work the scream of Münch....
Blowing things Away
©2001 Felipe Dulzaides
'Blowing things away' is a physical study of focused breath and emanating sounds...
Autocanibalismo
©2002 Regina José Galindo
Regina Jose Galindo bites her nails untils she draws blood....
Sanjie
©2003 Cui Xiuwen
Video Installation of 13 videos of approx. 1min 30sec. Sanjie is inspired by The L......
Synaptic Bliss: A.F
©2003 Aziz + Cucher
This piece of work explores ideas of a digital conscience that welcomes simultaneousl......
Sleepers
©2002 Anthony Goicolea
In the past, I have worked primarily in photography and have documented staged, self-......
The Calling
©2003 Alette Simmons-Jimenez
Themes of opposing forces, contrasts, and the unexpected unfold this imagery represen......
Fucked
©1999 Alex McQuilkin
"Fucked" was her debut feature where the voyeuristic aftertaste is enhanced still thr......
Eligiendo la mejor manera
©2005 Amparo Sard
From series: Woman fly (2006)A woman dressed in white walks around a flooded room. Sh......
Heaven came from hell
©2004 Oscar Seco
In another world where the Guadalquivir is navigable, a Japanese nuclear submarine su......
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·