·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·


Fuego Camina Conmigo
©2006 Avelino Sala
2007 -Fuego camina conmigo, Galería Espacio Liquido, Gijón. - Nightcomers. 10 Bienal de ......
The game is never over
©2013 Juan Carlos de la Parra
The video is an allegory of a person?s life as a videogame avatar, travelling the pat......
Casa en el Aire
©2004 Patricia Bueno
The intention is to present a set of ambiguities and contradictions of seemingly unco......
Neworder
©2006 Angie Bonino
In this video the artist shows how our capital system is nearly controlled only by ma......
Aoux
©2004 Patrycja German
...
DC241BB
©2007 Aldo Runfola
...
Powervideo
©2006 Angie Bonino
Powervideo shows us the way a image can change our perception....
Scratch & Win
©2006 Alette Simmons-Jimenez
Appearing in a circular hole, cutout in the center of a wooden disk hanging on the wa......
Fragment edMemory
©2013 claRa apaRicio yoldi
In post-industrial society we are witnessing information overload. This occurs when t......
Kaizen
©2007 Carlos Cid
"Kaizen" is a work where he reflects the intimacy of the author and bring us into his......
Still Movie
©2013 Txema Novelo
Divided in five complex chapters Still Movie is a union of many themes. Exemplary of ......
Engloutie_ Central Video
©2006 Carmen Arrabal
The series 'Emotions' is made up of videos and of photographs produced in 2006-07: "E......
Pure Drama
©2008 Maria Cristina Carbonell
Una mujer llora desconsolada ante un abandono, posiblemente, masculino. El desespero,......
Dead Sea
©2004 Sigalit Landau
A cord of two hundred and fifty meters penetrates five hundred water melons forming a......
Don't do it wrong
©2007 Katarina Zdjelar
The video piece "Don't Do It Wrong" suggests how social rituals build and promote the......
Don Quijote
©2005 Luis Bezeta
Don Quijote arrives to Barcelona where he is kindly received. A theatrical atmosphere......
I love candies, but my passion is collecting art 2
©2008 Jenny Marketou
Interview with young art collector Shammiel Fleischer-Amoros....
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·