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 A Study in Choreography for Camera

Artist: Maya Deren
Production year: 1945
Duration: 00:00:00
Catalogued as:

Galleries:
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Upon their appearance in the mid-1940s, Maya Deren's films were described by New York Times dance critic John Martin as "choreocinema," a happy neologism that attempted to account for two of Deren's thematic preoccupations: the human body in motion and the filmmaking process itself. Her first two films, Meshes of the Afternoon (1943) and At Land (1944), began this endeavor (if only partially), but it was in her third project, Study in Choreography for Camera, that Deren fully realized her visi ...

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