·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·


Glamourama
©2005 Corine Stuebi
The myth of the star and death: Glamourama portrays the border between the celebrity ......
The World Is Everything That Is The Case
©2003 Eva Teppe
It is not in the secluded wastes of Nature but before a large audience that the equal......
When wild instincts revive, predator sharpens the knife
©2007 Macu Moran Marcos
Predator emerge in a woman's thought as mental and emotional projection, subjugating ......
Stokata #1
©2005 Ohad Milstein
A collection of episodes atempting to capture a harmonic, euphoric moment, a magical ......
Zoo, Age 10
©1996 Maggie Cardelus
Zoo, age 10 is a video that lasts ten years: eighteen-thousand photographs shot and c......
Ritual in Transfigured Time
©1946 Maya Deren
By her fourth film, Deren discussed in An Anagram that she felt special attention sho......
Blowing things Away
©2001 Felipe Dulzaides
'Blowing things away' is a physical study of focused breath and emanating sounds...
Tuyo es el reino
©2007 Patricia Bueno
Images broken and badly damaged by time of the former Peruvian President Manuel A. Od......
The Knowledge of Liberty
©2009 Johanna Bruckner
"The Knowledge of Liberty" explores social engagement within a high-speed defined wor......
Warning con Credito
©2006 Angie Bonino
The artist makes a warning showing our own warning codes....
Heterotopia
©2015 Maria Dorada
A room impossible to control by the human psiquis. Dominated by the light and the dar......
Untitled, one or two song on someone or something, in particular
©2007 Katarina Zdjelar
With this piece I film a person who just moved alone to another country, got an elect......
Expectations
©2007 Heide Hatry
The work is a brief reflection on the changing relationship of women, and especially ......
Thewelcome
©2006 José Luis Serzo
THEWELCOME: adj.d m-f, pl-sing. To have a slippery, polymorphic, simultaneous and ref......
Garden of Instruments II
©2004 Paul Schütze
The relationship between Architecture, sound and the navigation of memory and awarene......
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·