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The Witch's Cradle (1943), sometimes billed as Witches' Cradle, is an unfinished, sil......

'On the Ball' presents the visibility of the face as a function of breathing. At the ......

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A six minutes one shot pan through a museum space. The rooms are a virtual collage fr......

McQuilkin continues the exploration of the theatricality of suffering and the subtle ......

"¿Quién puede borrar las huellas?" Who Can Remove the Traces by Regina José Galindo. A wo......

School girls thump their fingers on school desks or lay their hands flat on top of th......

Lady's is the result of a hidden camera in the "ladies room" of a Beijing nightclub w......

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The video is an allegory of a person?s life as a videogame avatar, travelling the pat......

A mobile unit of Zumo Natural moved to Racing's stadium in Ferrol to talk to Josefina......

I'm not allowed to watch films, use my Mac or any other gadgets. I can't read or writ......

The work is a brief reflection on the changing relationship of women, and especially ......

Este video fue parte del proyecto CUBIERTA (Videoinstalación y performances de Mariela C......

Larson's film County Line is set to an eerie soundtrack. The camera settles on this d......

HANABI is a one minute five second video film that is projected in a loop. Fireworks ......

Cui Xiuwen goes on the stage and appears as a mummy, wrapped from head to toe in toil......

The relationship between Architecture, sound and the navigation of memory and awarene......