·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·


Dream
©2005 Luis Bezeta
An imaginative evocation of the interior landscape of human beings that die to be tog......
Joan of Arc
©2007 Alex McQuilkin
McQuilkin continues the exploration of the theatricality of suffering and the subtle ......
Dudando del momento perfecto
©2004 Amparo Sard
A woman dressed in white in a flooded space hesitates between turning off the tap or ......
There is a Party at Paracide Park
©2006 Sigga Bjorg Sigurdardottir
My work is about what happens when someone does something to somebody or something ha......
El Encuentro
©2008 Fátima Tocornal
"The encounter" is a collaboration between Fátima Tocornal, Maria Stoyanova, and her mo......
Museum of a memory
©2009 Marion Tampon-Lajarriette
Marion Tampon-Lajarriette's Museum of a memory is inspired by Chris Marker's «The jet......
Untitled (Dani)
©2005 Eva Davidova
photo-based animation loop...
Far away
©2007 Maria Cristina Carbonell
A Ninja returns from beyond to take with him a women, who, in self-defense, killed hi......
Octopussy
©2007 Miquel Arnal
We can tell that the genere of Wild life Documental has changed through National Geog......
El Error
©2008 Amparo Sard
...
Leaders
©2014 Oier Gil
5 political leaders or 5 dictators. The characteristic that they have in common is t......
Pure Drama
©2008 Maria Cristina Carbonell
Una mujer llora desconsolada ante un abandono, posiblemente, masculino. El desespero,......
Unanimous - Borges & I
©2009 Sva Li Levy
Unanimus is a video collage based on "borges & i" a short text by J.L.Borges. A visua......
Proxemica
©2003 Regina José Galindo
I shut myself up for a night and part of a day in a little space made of cement block......
Negotiations
©2004 B Hakeem
With "Negotiations" I put forward two socials problems in Algeria. First is r......
Politics
©2007 Heide Hatry
The Politics performance took place on September 11, 2007, at 6am in Central Park (ne......
Verredeau
©2006 Luis Bezeta
Before going to sleep take the glass with your hands avoiding the fingers to touch. C......
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·