·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·


Davidson
©2000 Luis Bezeta
A kitsch and chic animation video...
N/A
©2006 Eelco Brand
In the video N/A, the viewer is led through a still, sun-dappled forest to a hazy cle......
Half awake half asleep
©2006 Eva Teppe
Eva Teppe estranges in these work, analogue to former works, found footage material, ......
Far away
©2007 Maria Cristina Carbonell
A Ninja returns from beyond to take with him a women, who, in self-defense, killed hi......
Preparations for uncertain doom
©2004 Sofia Hulten
A woman attempts to block up all points exit and entry in an apartment....
Politics
©2007 Heide Hatry
The Politics performance took place on September 11, 2007, at 6am in Central Park (ne......
Rose
©2015 Simone Stoll
A field rose, vivified by her own fragrance, ready to open herself to the sun, and th......
EstirarLaLuz
©2005 Eva Davidova
photo-based animation loop...
Diminuta
©2006 Luis Bezeta
I wish I could be there and get lost in blue waves, because sometimes civilitation is......
White Lies
©2007 Susanne Weirich
White Lies deals with common narrative structures and the interplay between reality a......
Dreaming Camera
©2004 Paul Schütze
Dreaming Camera, consists of two opposing walls featuring projected video footage of ......
Paradox Parade
©2007 Sigga Bjorg Sigurdardottir
Rooted in drawing and textual elements her work will unveil the curiously oniric life......
Aether
©2014 Maria Dorada
In the Pali literature, the "chatu dhatu" or "four elements" are: air, earth, fire an......
Iconosfera
©2015 claRa apaRicio yoldi
This video reflects on the importance of images in the construction of the collective......
Maria
©2009 Heide Hatry
The portraits of women made out of animal skin and body parts were intended to provid......
The Opera
©2001 Ragnar Kjartansson
Performance/installation. An Opera Ragnar Kjartansson performed a capella 4 hours a d......
Thewelcome
©2006 José Luis Serzo
THEWELCOME: adj.d m-f, pl-sing. To have a slippery, polymorphic, simultaneous and ref......
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·