·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·


Angry White Male
©2016 Ronald Bijleveld
afte math of an false flap operation stil leads to real emotions of the population...
Black Lead
©2006 Corine Stuebi
Through the eye of the camera, a succession of actions, at first look quite ordinary.......
Canvas
©2009 Katja Kollowa
A brush fights itself through the canvas. A canvas hangs itself ponderously on the w......
Spirale
©2006 Angie Bonino
The artist shows us a spiral of violence....
The Very Eye of the Night
©1958 Maya Deren
In this, the last completed film of Deren, was done in collaboration with the Metropo......
Half awake half asleep
©2006 Eva Teppe
Eva Teppe estranges in these work, analogue to former works, found footage material, ......
Romeo and Juliet (I wanna be Claire Danes)
©2006 Alex McQuilkin
Romeo and Juliet (I Wanna Be Claire Danes) recreates the final scene of Baz Luhrmann'......
Your self portrait- The red flag factory
©2003 Olga Kisseleva
This project, presented in both a Saint Petersburg factory and museums of the West, i......
Penelope Psycho
©2006 Carmen Arrabal
"Penelope psycho", was made in July 2006 during a summer workshop organized by MASBED......
Looking For Time
©1996 Maggie Cardelus
Looking for time is a video from a single image from 1996. Through long sequence shot......
Robots
©2008 Garbi KW
This video documents the result of pedestrians reactions opposite a show with several......
TAKEOFF
©2015 Tamara Lai
Video poem & Music Direction, Image, Editing, Poem by Tamara LAI Music composed & p......
Hasta Ver
©2002 Regina José Galindo
I take a non-journey in Perú. I blindfold myself before I set off. I stay like that f......
Cais sobre metro station
©2006 Nuno Maya
Cais sobre metro station, Lisbon, Portugal...
Stokata #1
©2005 Ohad Milstein
A collection of episodes atempting to capture a harmonic, euphoric moment, a magical ......
Downhill Skiing in summer
©2006 Daniel Zimmermann
Zimmermann filmed the ideal line of the Lauberhornrunnen the famous Swiss ski race, i......
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·