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Garden of Instruments II
©2004 Paul Schütze
The relationship between Architecture, sound and the navigation of memory and awarene......
Panorama Domestico, Accion! 1996-2006.
©2006 Mira Bernabeu
PANORAMA DOMESTICO, ACCION! 1996-2006. Serie Mise en Scene X. Ten years after En circ......
Paramnesia
©2010 Marion Tampon-Lajarriette
By a set of lights and distorted perspective is revealed the succession of richly dec......
Just Deserts (2 minute segment)
©2016 Flounder Lee
4 HD Video Projections; 8-channel audio; 34 minute 30 second loop The desert has pla......
Mer de Larmes
©2007 Carmen Arrabal
The series 'Emotions' is made up of videos and of photographs produced in 2006-07: "E......
In Ictu Oculi
©2009 Greta Alfaro
My work addresses the lifestyles of contemporary Western society and its relationship......
Aoux
©2004 Patrycja German
...
Twins (drawing)
©2001 Ellen Harvey
Two video projections on 16" x 12" matte plexi-glass panels clipped to metal poles TR......
Pool Flush
©2003 Alette Simmons-Jimenez
A whirlpool swirls with incredible force, while the water changes from blue, to green......
My sky is blue
©2008 Maria Cristina Carbonell
Through the stories of her mother, she saw the world. Through the eyes of her daughte......
Meditation on Violence
©1948 Maya Deren
Cast: Chao Li Chi. Music: Teiji Ito. The setting with the low walls and river views i......
Death Bed
©2005 Ofri Cnaani
Cnaani's works interrogate the relationship between space and the body. The works of ......
Colección Floral
©2003 Maria Cristina Carbonell
The Art of Dealing ( I Colección Floral) una geisha se pasea por diferentes locaciones ......
Bored of you, Bored of them, Bored of all.
©2015 Antonio Ortuño
Concept: Continuing my line of work which explores physical sensations and feelings, ......
El Circo
©2007 Maria Cristina Carbonell
El hombre dormido en la arena sueña con bellas mujeres, duplicadas y triplicadas, que, d......
Balaclava
©2006 Angie Bonino
The artist treats a political problem of movements against legal authority, which pro......
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