Founded in 2005, the Video Art World project is responsible of creating and establishing the international market standards for the appropriate collection, preservation and divulgation of moving imagery in the XXI Century. Its pioneering model promotes a clear, solid and extremely attractive market for this vital means of expression.

 

With the online and offline activities, the project has been strongly focused on enhancing the value and historical significance of Audiovisual art, allowing it to gain the importance and respect that Painting, Sculpture, Photography and Prints have commonly been regarded within the art world.

 

This revolutionary pioneering model resolved the handicaps that Audiovisual art had been facing in the art market for the past decades, making a worldwide work distribution compatible with a secure and transparent market for private and public collectors.

 

VIDEO ART WORLD EDITION STANDARDS:

 

In order to be part of Video Art World, the artwork must follow these edition standards that assure the preservation of its quality and value, following the worldwide collectable market guidelines for original certified editions of video and installation art, assuring collectors the certified value of the works present on the site.

 

VideoArtWorld artworks must therefore be edited under the following formats, and its specifications must be clearly published:

 

  • ORIGINAL MASTERS LIMITED EDITION – Issued with the smallest compression, in Digital Beta cam, Mini DV or Hard Drive, compiling the highest quality content. It should be signed by the artist, and include the certification for exhibition and re-sale rights. Often issued in edition of 1, 3, 5, 7 or 15 copies, plus 2 artist’s copies, being purchased to become part of collections with the right and responsibility to restore it when necessary, assuring the preservation and protection of its full quality within years to come.

  • OPEN EDITION FOR EXHIBITION’S DISTRIBUTION – Issued with exhibition quality, often in DVD with small compression, these editions have the right to be rented for exhibition displays. A distributor often manages this rental activity, but the representative gallery or the artist can also manage it.

  • COPIES FOR OPEN EDITION DISTRIBUTION – Compressed copies for private and educational use, normally issued in DVD, pen-drives, Internet files or mobile technologies. These copies do not have the right to be publicly displayed nor re-sold within the art market. They are often given for dissemination to the press, critics, curators and general public. A DVD publisher can be in charged of massively distributing this edition, to promote the general awareness of the piece without breaking its market of original editions. The edition for distribution extends the life of the piece once the original set has been sold out, allowing it to continue reaching new audiences

 

These pioneering Video Art World standards were created in 2005, thanks to expertise knowledge in fine art appraisal, new media and intellectual property rights lawyers. This early model gave birth to a new industry and promoted the tremendous boom that it has experience since then.

 

By serving its entire community worldwide, Video Art World has strongly helped audiovisual art reaching the level of importance and credibility that other multipliable mediums such as photography, sculpture and print have enjoyed for decades.

 

Thanks to our long experience on the field, we are confidence to provide to artists, dealers, curators and collectors with the information they need in order to appropriately develop their collections, inventory and body of work.


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PARALLEL PROJECTS:

Holding iMAGERY SPECTRUM · Progressive Projects encompasses all the projects developed since 2005. It includes all the online platforms developed, as well as the offline projects which can be viewed at www.imageryspectrum.com.

 

 

iMAGERY DIMENSION · Innovative Art Collective

In an effort to create alternative realities for the industry of thought, this international artist network is dedicated to the contemporary research on innovative artistic technologies and mediums, arranged under photography, audiovisual, technological and plastic practices. The network encourages creators to exercise their rights on authorship, using licenses that best suit each specific creation, medium and scope.

iMAGERY AFFAIRS · Art Agency & Consulting

Consulting dedicated to the planning, direction and execution of cultural events for some of the most active cultural venues of the World, in collaboration with artists, critics, curators, collectors, agents and other professionals of the cultural field. Engaging the highest quality of criteria and execution, our endeavors include the organization of specialized Fairs, Festivals, Exhibitions, Screenings, Essays, Publications, Conferences, and Symposiums. Other customized consulting and broadcast services on demand are specifically appropriate for collectors, institutions and contemporary artists.


iMAGERY SCHOOL · Creativity for Innovation

Bilingual proficiency program that appropriately integrates a number of methods towards the perceptive and imaginary development of the human being. Curriculum includes activities based upon cognitive development exercises, programmed to promote the sensorial thrive and facilitate the receptive and creative abilities of each individual. Following neuro-linguistic and artistic-metaphoric techniques, multiple intelligences are empowered and the abilities of relaxation, attention focusing, visualization and memory enhancing. It works on possible blockages which interfere with the natural creative flow of the human being and putting into practice innovative thought processes.

 

 

Feel free to contact us for further information.