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Report
©2005 Julia Oschatz
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Autorretrato
©2005 Luis Bezeta
Cubic Video. 9 points of view in a single shot, 3 dimensions in 2 dimensions....
Color
©2009 Katja Kollowa
A brush fights itself through the canvas. A canvas hangs itself ponderously on the w......
Organic Urbanic
©2002 Ran Slavin
Organic Urban is a futuristic blue monochrome video composition of architecture, meca......
Rose Painting
©2005 Ellen Harvey
video projection of drawing onto 12² x 9² wood panel watercolor on 12² x 9² wood pane......
Autocanibalismo
©2002 Regina José Galindo
Regina Jose Galindo bites her nails untils she draws blood....
Expectations
©2007 Heide Hatry
The work is a brief reflection on the changing relationship of women, and especially ......
Confesion
©2007 Regina José Galindo
Regina Galindo's first solo show in Spain hosted by La Caja Blanca September - Octobe......
Kaizen
©2007 Carlos Cid
"Kaizen" is a work where he reflects the intimacy of the author and bring us into his......
Await
©2014 Shivkumar KV
We wait from from morning to evening for cup of coffee, a book, a bus or a train. Wai......
Casa en el Aire
©2004 Patricia Bueno
The intention is to present a set of ambiguities and contradictions of seemingly unco......
Maria
©2009 Heide Hatry
The portraits of women made out of animal skin and body parts were intended to provid......
Die große Wanderung
©2004 Johannes Wende
"Cosmos is an idea of the world as physical space. The fixed point forms an imaginary......
Garden of Instruments I
©2004 Paul Schütze
The relationship between Architecture, sound and the navigation of memory and awarene......
WATCH MY FACE TO READ MY THOUGHTS
©1975 Roland BALADI
All comment is in the title....
Iconosfera
©2015 claRa apaRicio yoldi
This video reflects on the importance of images in the construction of the collective......
County Line
©2004 Chris Larson
Larson's film County Line is set to an eerie soundtrack. The camera settles on this d......
Direction
©2006 Tahir Ün
Humour and dramatic end to be directed by sense of being locked up inside....
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