·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·


Nail Biter
©2002 Anthony Goicolea
The video acts as a short visual time lapse in which obsessive behaviors become exagg......
La Labor
©2005 Zumo Natural
A mobile unit of Zumo Natural moved to Racing's stadium in Ferrol to talk to Josefina......
James Brown
©2007 Zumo Natural
Tragic junction of two human figures, under a nasty bridge. The night, a car, two bei......
Sorrow Conquers Happiness
©2006 Ragnar Kjartansson
Ragnar Kjartansson sings a slow tune, intonation the phrase "Sorrow Conquers Happines......
The Passing Times -(Project The Camera as writing)- with Bill Vio...
©2014 Isabel María
Between a prize award in Barcelona and an inauguration in New York, Bill Viola descri......
Anubis
©2009 Laura Celada
...
BCNEXTRA
©2003 Luis Bezeta
The artist walks around the newly cosmopolitan Barcelona....
ECRIRE CENTRE AU CENTRE DE LA FRANCE
©2002 Roland BALADI
A milestone on Bruyères Allichamps reminds that the town is located on the geographical......
Pool Flush
©2003 Alette Simmons-Jimenez
A whirlpool swirls with incredible force, while the water changes from blue, to green......
Bates
©2007 Zumo Natural
A man with a cap and a light short jacket, is peeling almods with a bat in a dark gar......
Teenage Day Dream:It's only Rock & Roll
©2002 Alex McQuilkin
This can be read as a pointed commentary on teenagers? tendency of a devoutness to Ho......
On the Ball
©2000 Felipe Dulzaides
'On the Ball' presents the visibility of the face as a function of breathing. At the ......
Untitled (Adidas)
©2010 Eva Davidova
Photo-based animation loop...
The Dreamers
©2004 Dana Levy
"The Dreamers" is a film where the artist filmed Israelis and Palestinians describing......
Robots
©2008 Garbi KW
This video documents the result of pedestrians reactions opposite a show with several......
The Orb
©2010 Cal Thompson
Art video useing a subductive optic process, optional audio by Ivonne Naves Dominguez...
Hotel
©2005 Luis Bezeta
He could have seen. He could have been absent....
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·