Homage to Godard, Gallo and of course Eisenstein and his montage theory. By cutting and looping short segments of footage from both “dance scenes” of Vivre sa vie and Buffalo ’66 (where the directors break the logic and continuity rules of narrative cinema), I created a new meaning: a play of seduction and frivolous dance where individual dramas are hidden behind loops and repetitions. The video is inspired by Eisenstein’s theory of intellectual montage as an alternativ ...

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