'On the Ball' presents the visibility of the face as a function of breathing. At the same time, breathing heavily on the camera?s lens plays on the function of the video tape, its reference to time. The confrontation with the bodily processes does without drama and ideology of any kind. The body is simply the given.
On the Ball
Artist: Felipe Dulzaides
Production year: 2000
Catalogued as: NARRATIVE/FICTION, BODY/DANCE, NON NARRATIVE/TIME