·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·


Bunkerball
©2006 Christoph Draeger
Camera: Reynold Reynolds Sound: Travis Hefferen This is the story of Dršgerman, a man ......
The Great Unrest
©2005 Ragnar Kjartansson
Performance/installation. A month long performance set in an old abandoned Theater/Da......
Seeing is Believing
©2001 Ellen Harvey
A video of a trompe-l'oeil painting. The right side of the video image shows a view o......
The War Prayer
©2008 Jenny Marketou
My video, which is based on the re-enactment of the act of prayer, is performed by an......
Dcandanze
©2008 Pixel in Fact
Dcandanze, play on words between Can, Dance and Decadence. Dcandanze reflects through......
Cimetiere a Paris
©2003 Luis Bezeta
The cemetery of PŤre-Lachaise, is the biggest one in the urban area of Paris y the best......
L'ombre de la Victoire
©2007 Marcus Kreiss
Marcus Kreiss was first a painter and than evolved towards video art. That is why L'......
Ciervo
©2007 Juan Zamora
...
Sleepers
©2002 Anthony Goicolea
In the past, I have worked primarily in photography and have documented staged, self-......
Davidson
©2000 Luis Bezeta
A kitsch and chic animation video...
Classmates
©2015 Reza Golchin
Children should pass a long way to reach schools....
Scum
©2007 Wojtek Ulrich
SCUM consists of a three-channel video projection, a 48 channel video sculpture in th......
Cantera
©2004 Eva Davidova
Photo-based animation loop...
Conspiracy
©2016 Neil Howe
Around the world multinational energy companies have been conspiring with governments......
Iconosfera
©2015 claRa apaRicio yoldi
This video reflects on the importance of images in the construction of the collective......
Host
©2004 Sigurdur Gudj√≥nsson
Mist. Like white smoke it hovers over a pallid, bleak scene - a stone, rubble, someth......
Rose
©2015 Simone Stoll
A field rose, vivified by her own fragrance, ready to open herself to the sun, and th......
The Calling
©2003 Alette Simmons-Jimenez
Themes of opposing forces, contrasts, and the unexpected unfold this imagery represen......
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·
·