In "Death bed" (2005/06), the run-down skeleton of an old house stands in the middle of a bewildering cluster of morbid and grotesque conditions and the attempt of a hooded protagonist to intrude the ruin in the endless snowcovered wasteland. In the eerie atmosphere, he meets - or does he? - figures, faceless people who in what might or might not seem scenes of the past dress their grey, jejune hair in pin curlers and wash their decaying limbs in red water to the sound of a muted piano's play

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